Le rose, le bleu

Physical rehabilitation has become a significant area in Edgar Ulises' life because of the fracture he has in his left humerus, the product of a period of chronic stress. Thus, exercise became a necessity for him, although all his experiences with sports during his childhood were fraught with bullying due to his effeminate behavior. This accident forces him to ask himself: if he had been a heterosexual man, would he have had a good relationship with sports? He asks himself this question in Paris, where he is studying for a master's degree in filmmaking, and, from the solitude of his room and with no production budget, decides to contact Club Muxes, the only LGBTQTQ+ soccer team in Mexico, his country of origin. The conversation takes place over the phone, and the images we see are sent by the club's communications department.

Directed by Edgar Spural