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Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
Directed by Maria Klonaris
Parvaneh Navaï
Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1977
4watch
